Print Collection - Racquet & Tennis Club, 370 Park Avenue, East Fifty-second-Fifty-third
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Racquet & Tennis Club, 370 Park Avenue, East Fifty-second-Fifty-third Streets

Framed Size:
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Frame Style: 1 1/4 inch frame of the highest quality American hardwoods sourced from a factory which practices sustainable harvesting of forests.
Matted:
6 Ply Conservation: Bright White conservation mat for an elegant presentation of your artwork.
Clear Glass: Our glass provides some UV protection. Keep art out of direct sunlight.
$35.99

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Racquet & Tennis Club, 370 Park Avenue, East Fifty-second-Fifty-third Streets

$16.99 229.99
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Photographs of this Historic Building designed by McKim Mead and White in 1918. Shot by Jack Boucher on 5x7 negative.

Significance: The Racquet and Tennis Club building, at 370 Park Avenue in New York City, was designed by the architectural firm of McKim, Mead & White. The partnership Charles R. McKim, William R. Mead and Stanford White was established in 1879, and ended in 1919 with the retirement of Mead. The Racquet and Tennis Club, completed in 1918, was the last work undertaken by the partnership, and remains one of the firm's most polished architectural statements.

All prints are made with the finest quality Digital Giclée printing using 12 color archival inks. We have chosen a 300gsm Rag Matt finish paper with no "Optical Brightners" to extend the life of your print.

Great care has been taken to reproduce this image for you. We stand behind the quality of your print with a 100% customer satisfaction guarantee.
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Racquet & Tennis Club, 370 Park Avenue, East Fifty-second-Fifty-third Streets

Photographs of this Historic Building designed by McKim Mead and White in 1918. Shot by Jack Boucher on 5x7 negative.

Significance: The Racquet and Tennis Club building, at 370 Park Avenue in New York City, was designed by the architectural firm of McKim, Mead & White. The partnership Charles R. McKim, William R. Mead and Stanford White was established in 1879, and ended in 1919 with the retirement of Mead. The Racquet and Tennis Club, completed in 1918, was the last work undertaken by the partnership, and remains one of the firm's most polished architectural statements.

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